In addition there are stations constantly attacked from mutants from the surface, plagues can decimate stations, and some sections have been closed off and disappear into legend. The Fourth Reich is trying to extend its will to adjacent stations, whilst the Red Line run under a communist ideology struggles against a better equipped and maintained ring of stations called Hanse – a commonwealth capitalist utopia for those on the inside, but nearly impossible to enter from the outside. As Artyom delves deeper into the metro he meets groups battling over ideologies that seem ridiculous when so few people have to defend against so many threats, but which are carried over from the world above. Horrors are both psychological as well as physical and a simple walk along a tunnel from one platform to another can tear apart the mind if not kill a traveller outright. Metro 2033 isn’t just a journey with lots of crazy events along the way it delves into the human psyche and explores the deepest fears of the human soul. Where once the citizens of Moscow could cross the network in an hour, it now takes weeks of negotiation and constant battling against a whole range of dangers. For Artyom, a new station is like a whole different city and these city stations form alliances, declare war on one another, and fight not just against the monsters that descend from above but also one another. Living in London, where each station can have its own feel and with a glance you can recognise where you are just by the pattern of tiles on a wall, for me Artyom’s journey was strangely familiar but also thrillingly terrifying.
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This is a fascinating story which starts small in a cramped, dimly lit and constantly threatened metro station platform and expands outwards into an exploration of what it means to exist, what people will do to cling on to some semblance of life, and how people have adapted to such an unnatural state as being stuck underground.Īs Artyom makes his journey towards the fabled city of Polis in the centre of the metro to find the man he was tasked with taking a message to, he comes across what may seem like a familiar problem with anybody who has to deal with a city underground system of how to get to where they need to go in the most efficient way.
It also reminded me very strongly of the Andrei Tarkovsky film Stalker, which I would be surprised if this wasn’t an influence on Glukhovsky as the men in Metro 2033 who head above ground at great risk to their own life to fetch fuel and materials are called stalkers. It reminded me partly of Lord of the Rings in that a young man has to take a vital and seemingly impossible task upon himself and travel though a whole range of varied dangers to reach a goal, and during this torturous task meet a range of friends and adversaries who may help or hinder in unexpected ways - growing and learning more about human nature as he goes. This is, without the faintest shadow of a doubt, the best post-apocalyptic fiction book that I have ever read, and also one of the best fantasy books I have ever read.
Now and again a story will turn up which hits you like a ton of bricks, and Metro 2033 did that to me. VDNKh is a bulwark against the mutant threat that creeps down the tunnel from above - a station that is home to Artyom until one day a man called Hunter appears who sees something within him, something which makes him task Artyom with an incredible journey through the various stations and populations of the Moscow metro. Decades later the metro is their entire life - stations are city states where ideologies take hold and cartridges for guns are currency.Īrtyom, a young man who can barely remember what is was like to be on the surface, lives in one of the northernmost stations of the metro. A few thousand survivors managed to get underground into the Moscow metro to escape the radiation and there is no way for them to know if anybody else on the planet had survived. It’s 2033 and the human race has obliterated itself.
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